126th Annual Exhibition of the Royal Institute of Oil Painters

The 126th Annual Exhibition of the Royal Institute of Oil Painters marks the visible start for a lot of people to the presidency of Tim Benson.

The consensus so far is that it's looking very different - and very powerful - with lots of excellent paintings.

The Private View of the ROI 2018 - the Main Galleries were packed!
It was difficult to see them all properly at the Private View on Tuesday because the Mall Galleries were absolutely packed with people - and indeed was still very full when I left at 5.30pm. A packed PV is the sign of a well supported art society - and effective communication with known supporters.

I'm going to go back and visit it again before it finishes on the 9th December so I can take more time and stand back and see the pics without passing people!

Exhibition Dates: 28 November 2018 to 9 December 2018 at the Mall Galleries

A new approach

In this post I'm featuring some of the points made by Tim Benson said at the Opening of the Exhibition and the Awards Ceremony.

Tim Benson, President of the Royal Institute of Oil Painters, speaking at the opening of the exhibition
His own website has a strapline of "building awareness through painting" and he seems very focused on carrying this theme over into the activities of the ROI.

He finished
it is this very diversity, (of age, of gender, of ethnicity, of background) that makes the ROI such an exciting organisation. I believe that this is reflected in the work that you see around you on the walls today. Each painting represents the artist that painted it, each painting offers a window into their lives, a deeply personal lens that tells of daily routines, inspirations and dreams.”
Vice President Adebanji Alade - with his portraits of his children - who also paint!
Certainly I felt the exhibition has a different look to it. Not least because the walls of the Main Galleries and Threadneedle Space are packed with some 301 paintings in oils and acrylics - but mainly oils! (see below for further comment)

Prior to this he was talking about:
  • how could the ROI be a ‘progressive’ organisation? 
Now more than ever there is a schism between the world of painting and the ‘contemporary’ art world. Surely this disadvantages the art world at large? Surely in a time of increasing fracture and division the Art world should be unified? The ROI is in an incredible position to bridge that very gap, a place where painting of all genres is encouraged with neither a bias towards subject matter nor a ‘house style’. We are free to champion works that transcend traditional notions of painting just as we are free to celebrate them.

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